"Presumably to Poynton." Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.!

"I was embarrassed, for I saw my danger—the danger of her going home and saying to Mona that I was backing you up. It had been a bliss to learn that Owen had really turned to you, but my joy didn't put me off my guard. I reflected intensely for a few seconds; then I saw my issue." "Do you really think so?" Fleda presently inquired. "I mean, does he, after the fact, as it were, accept it?"

Fleda had stood clutching the knob of Maggie's little painted stair-rail; she took, on the stairs, a step backward. "Why then doesn't she prove it in the only clear way?" Mrs. Gereth massed herself there more and more as an immoral woman, but Fleda had to recognize that she too would have been stupid and she too would have gratified her. "And when did all this take place?" The sense of her adversary's dryness, which was ominous of something she couldn't read, made Fleda, before complying, linger a little on the terrace; she felt the need moreover of taking breath after such a flight into the cold air of denial. When at last she rejoined Mrs. Gereth she found her erect before the drawing-room fire. Their tea had been set out in the same quarter, and the mistress of the house, for whom the preparation of it was in general a high and undelegated function, was in an attitude to which the hissing urn made no appeal. This omission, for Fleda, was such a further sign of something to come that, to disguise her apprehension, she immediately and without an apology took the duty in hand; only, however, to be promptly reminded that she was performing it confusedly and not counting the journeys of the little silver shovel she emptied into the pot. "Not five, my dear—the usual three," said her hostess, with the same dryness; watching her then in silence while she clumsily corrected her mistake. The tea took some minutes to draw, and Mrs. Gereth availed herself of them suddenly to exclaim: "You haven't yet told me, you know, how it is you propose to 'make' me!"